Sunday, November 29, 2015
Positive Child Performer Role Models (or, 'I ain't no Dina Lohan!')
For those of you biz moms, you know you've heard it -- either you've been compared to Dina Lohan or someone has insinuated your child is destined for a life of DUI, jail stints, and early burnout. Sure, there are horror stories. And there are horror stories that take great turns (love me some Drew Barrymore!). So when you need a positive story of the power of wonderful things child performers can get out there and do, check out this fifteen year old (you may recognize her from the sitcom 'Blackish")...click on her name for a New York Times story: Yara Shahidi
Friday, November 13, 2015
What is a “busy” child model?
I have a model-mom friend (shout out!) who is great at
helping me with blog topics. A few days
ago, she asked, “What is a ‘big booker’?”
I thought for a few minutes, and told her something like this.
Some of the biggest bookers I know can book 2-3 times a
week, let’s say, 35 weeks of the year.
New York’s busy season is basically between late February / early March
(late February castings for early March shoots) until mid-October. Those are the shooting times for major
back-to-school and holiday ad campaigns.
Some companies shoot year ‘round in NYC, so there is regular work to be found all year…and of course the stores that
advertise weekly (like Target and Macy’s) are always shooting. The only absolutely dead time is around
December 20 until January 15 or so.
So back to the kid who works 60-75 times a year. That’s a major booker, and they are few and
far between. You will hear from their
parents that they are crazy busy when they are “in size” (fitting into common
sample sizes) and that some clients will fiddle with the clothes to fit the
model. These are kids we might call “the
face of” some brand. For example, I have
two friends whose daughters shot for Hanna Andersson for many seasons…and you would
know their faces. I know a couple of
boys, too, who have had regular gigs with Hanna and J. Crew. They also shoot for tons of other brands on a
regular basis, so these are like the child supermodels.
I would say the next category of kid books on average once a
week. These are also faces you’d
recognize, and very successful models. I
would still call them big bookers. Then
there are regular bookers – who probably book 3-4 times a month. When my daughter was a size 3, she fit into
that category. She had steady enough work
to keep us hopping, for sure…and I think for our life (and distance from NYC)
that was a pretty good balance for us.
For the past ten months or so, as a size 4, my daughter
booked more like 1.5 times a month (but a lot of that was clumped together in
the summer, so it seemed busy then) which was still enough for us to feel like she
was “in the business” while she was also busy with lots of activities (this
year we ended up with Girl Scouts, karate twice a week, ballet, AND she’s
performing in the Nutcracker…so that’s two rehearsals a week and all of the
tech work is coming up soon). It seems
to me that most moms outside of those “big booker” categories would be happy to
be in the 2-3 times a month category – just busy enough.
At some point, I should tackle the whole “pulling from
school” issue we face. But that's a topic for a different day!
Booking alone isn’t what makes models busy. There are go-sees, which can be 1-3 or 4
times a week during busy seasons, depending on size (as always, sample sizes go
out a lot more). During the school year,
they tend to be between 3:00 and 5:00, which can make for long days.
And I cannot forget about holds. Even models who don’t book all that often
have many holds. Holds are a client’s
way of saying “we might want to book this kid, so don’t book him/her for
anything else.” I think that even kids
who get regular holds are “busy” models – they are on the radar at their
agencies, and are very much in demand.
Some moms feel like they get a lot of holds and often there is a similar
kid who books instead, but there is no scientific explanation for holds. And if you’re a mom getting a lot of holds,
your life feels as though you’re booked until 6:00 the night before – because that’s
when you usually consider yourself officially released and you’ve probably already
scrambled to clear next day and get babysitters for the other kids
already. That’s when you need to pour
yourself a stiff drink, curse the client who didn’t book your kid – and hope
they will next time.
What do you think?
Are my estimations off or on?
Give me some feedback here, on my Facebook page (The Bizzy Mama) or via
email at thebizzymama@gmail.com. You can also check out my Instagram TheBizzyMama
for some booking photos (and maybe a pet shot or two). As always, thanks for reading!
Thursday, November 5, 2015
Petite Parade!
Ah, Petite Parade.
The allure! The hustle! The bustle!
A few years ago, when the event was a BIG event, all the model moms in
the New York market would start in September or January (about two months
before the event) to seek information about castings and designers. The event used to be sponsored by Vogue Bambini magazine, which lent it a
certain je ne sais quoi that involved
one part kids’ couture, one part Milan, and two parts fashion week – a pretty
cool recipe. Some designers always went;
some went in the spring or the fall; and some were surprises. Each of the two days, a major company would
open the show – Target, JC Penney, and Truly Scrumptious are the ones that
immediately pop into my head. Toward the
end of the show on the second day, the editors of Vogue Bambini would style a
“showcase” of two or three looks from emerging designers. Each day might feature five or more
designers, so there were a ton of kids involved. It has gotten smaller over the past few cycles, down to one day and fewer household-name designers. Apparently, it's quite expensive for designer to show their lines, and they have to cost-benefit analyze being part of the show.
When the show was bigger, several shows did castings through
agencies. While some shows have always
relied on their designers, stylists and photographers to help with casting,
those bigger brands and the Vogue Bambini show always did their castings
through agencies. It made the whole
process more predictable (the castings would be the week before) and seemed to
up the “hype” when the go-see requests would come out. Of course, the model-mom grapevine would HEAT
UP with scuttlebutt – what sizes are they casting? What look?
Boys and girls? The shows would
have fittings the day before – and that’s when the clothes were revealed. Cool, if you ask me. But the clothes tend to be secondary to the
whole excitement of the process.
Two times we did Petite Parade my daughter was scheduled to
walk in an early show and a late show, which meant a whole day there – call time
is three hours before the show (hairstyles typically took a long time, but most
of it was waiting around – designers don’t want ANY anxiety about late
arrivals) so I would literally pack as if I were going to be stranded on an
island. A bag of toys and amusements for
the kids that could be spread over several kids and not be any big deal if lost
or left behind (dollar spot Target helped me there) was essential – my daughter
was really young (that means got bored easily) for those first few shows, and I
needed to keep her happy for hours. The
biggest hit among all the kids were a couple of bags of multi-colored vampire
teeth…lots of cute pictures that time.
Adult amusements were essential, which meant food and wine. Yes, wine.
By the third go ‘round, I brought a box of wine. Quantity, not quality was the order of the
day (although my sommelier friend – shout out! – has never let me live it down…checkout HER wine blog here) – and enough people had a nip to help the hours pass
relatively painlessly. This is also
where I would pack the power strip I mentioned in my model-mom bag post – I learned
that after my first year, when probably 100 parents were in a studio with maybe
4 outlets. It’s important to note here
that a large chunk of the excitement about your kid walking in Petite Parade is
the opportunity to hang out with a ton of other parents.
Meanwhile, the kids would be readied by designers and
stylists. In the years of the bigger
shows, it was in an adjacent studio, behind a magic curtain. Not really a great place for keeping an eye
on your kids, but the parents would be taking turns peeking in to make sure all
the kids were doing well. And they loved
the whole thing too – it was like a playdate for them, as we often say. In more recent shows, the parent area and the
staging area were more combined which upped the hectic factor multiple times,
but some of us preferred to have a better view of our kiddos. About an hour before each show, kids would do
a practice walk down the runway and learn how to stop and pose at the end. A photographer, Richard Renda, led that
process from the photo pit, and he made sure every kid knew how to stop, gaze at
the photographers, and wait for him to send them back. Despite decent rehearsals, my daughter quite
notoriously bucked those instructions back when she was three, and developed
her own trademark style for the runway – one time she was super shy and kind of
froze and the next time she leapt down the runway (to Katy Perry’s “Roar” –
totally fitting). The older kids always
did muuuuuch better. Parents could watch
the rehearsals, because there were no guests in the studio – which brings me to
parents watching the actual shows.
It’s important to remember that the shows are for invited
guests – store buyers, fashion bloggers, trend watchers and a couple of VIPs
(P. Diddy made an appearance one time to watch his daughters). Parents were allowed to filter in once all of
the guests were seated, and maaaaybe there would be seats (and swag bags!)
available. Otherwise, it was standing
room only. One time, the showrunners did
not let parents into the main studio for the show, and that caused a major
freak out – parents want (and pretty much need, legally speaking, according to
child performer labor laws) to see what their kids are doing, and needless to
say some phone calls got made and parents were allowed in for the next
show.
After the runway, the routine was for the kids to be
photographed backstage for the designers so they would have crisp, clear
pictures of their lines. The method for
doing this changed based on the photographer – sometimes it would be an
organized lineup and other times it was a little more catch-as-catch-can. Then poof – get the clothes off and head on
home. For the most part, you could count
on some exhaustion and probably a headache from both the noise and the tension
of keeping your kid human for so many hours (at least for me). You may or may not have a hairspray and bobby
pin situation to work out when you got home.
The next part is actually just about as exciting as the
runway itself. Trawling social media in
the hours after the show – hoping to see your kid! Obsessing over photo sites online – like Getty
Images and Shutterstock – to see pics of your kid. Stalking YouTube to see if anyone filmed the
shows – to see your kid. Friends sharing
pics – and again, you’re hoping to see your kid. Discovering new photographers – to see your
kid! It sounds kind of creepy, but it’s
actually a lot of fun.
So that’s a rundown.
The actual event itself is hectic.
I guarantee if you plop a casual observer into the whole experience, you
might get a “Why the EFF do you do this?”
But, for many model moms, the whole thing is a ton of fun. You also hear a few “Never again!”s, but
really…it’s like labor – you forget, and there you are the next time, carrying
your box of wine and vampire teeth.
A final word to any grammarians out there -- sorry about all the switches in verb tense...I found myself telling about past events but incorporating ongoing opinions...and I realize it may be a mess.
Check me out on Instagram at TheBizzyMama, my Facebook page
(not much going on there, honestly, but I like the likes!) or shoot me an email
at thebizzymama@google.com. I spend a lot of time studying anatomy and
physiology these days, but I’d love to hear what you want me to write about.
![]() |
| It's Air Biz. Photo credit: Lev Radin |
Sunday, September 20, 2015
Feast or famine…drought or deluge…or whatever. (Just an update.)
So big changes in
Bizzy-land…I’ve gone back to school! I’m
basically doing a pre-med curriculum at the local community college in
preparation for applying to – wait for it – nursing programs. I’m taking night classes, which feature amazing
casts of characters (exotic dancer!) about whom I’d love to write someday. Community college is a great democratizing
institution – you have people sitting in a classroom with great careers and
prestigious degrees all the way down to clueless eighteen-year-olds just trying
to get some credits under their belt. I
took Biology over the summer and now I’m taking Chemistry and what I can only
term “BOOT CAMP” Anatomy & Physiology I with a professor who has the
reputation of being THE HARDEST A&P professor of any state institution from
UCONN on down. I really didn’t expect to
be diagnosing skin cancer in lab in week two.
But I digress!
So it’s been busy for
me to say the least. I thought I’d give
you a glimpse of what’s been going in on the child-performer side of my
world. I’ve kvetched a bit in the past
few months about the slow size 4, but there have been some slightly regular
opportunities lately…they’ve just come all at once! We had a few clusters of bookings over the
summer. Two weeks ago I got a deluge of
emails from the agency. In a three hour
period I was notified of two go-sees the next day, a decent booking for two
days later, and two holds for the following week. We managed to hit both go-sees pretty
smoothly. Two go-sees and the round trip
in six hours highlighted by one parking garage in-and-out in under half an hour
– $9 score! – and one free on-street parking spot. Didn’t book…but whatever, we got out
there. The job the following day was
crazy far in southern Jersey, but it was an 8-hour gig to make up for it and we
really didn’t hit any ridiculous traffic.
Far more stressful was the fact that my son’s car broke down (I let him
drive my car for a few days) and I scratched my rental when pulling over for
three police vans on W. 26th Street BUT saved myself by buying the
extra insurance coverage FOR THE FIRST TIME EVER (totally got a weird feeling
that I should and I am GLAD I DID!).
Last week was
dead. The holds last week fell through
(for the better, since I had to study for my first test in Boot Camp A&P). Friday afternoon we got another set of holds
for this coming week (one for some app and one for a department store) and an
audition for a film tomorrow afternoon.
Another race to the city and get to class in Northwestern Connecticut afternoon,
but hey, if it’s not ridiculous it must not be my jam.
I’ll keep you
posted. Back to studying my histology slides
and fetal pig organs!
Tuesday, August 18, 2015
The Business or the Bullsh!t
Ahhh, back at the
computer. I took a class this
summer! That kept me b-u-s-y. More on that in the future, but it’s over…and
a few days later I had a septoplasty (that’s like, a nose job without the
nose…but I had a really freaky septum that’s now a week post-op and is healing
very well) so I’ve been a little preoccupied.
But here I am, Peroni beside me and the Real Housewives of NYC reunion
on the TV…life is good.
I thought I’d start,
actually, with a quote from a Housewife.
Dorinda, the newest NYC Housewife this year, told Sonja Morgan – while
Sonja was in a babbling drunken stupor, what else is new – that “Money talks
and wealth whispers.” Let me set this up
another way, as well, because I’m not talking at all about money, per se. Here in CT there are plenty of colleges. Let’s use two for my example. One advertises everywhere: billboards, bus
stops, on the radio, on television. They
are trying to build their brand and attract students and they shout it from the
hilltops. (I think their marketing is
fantastic! …My buddy is their marketing director.) For my contrasting example I’ll just say:
Yale.
Do you see what I’m
getting to here? IN YOUR FACE versus
subtlety. Having to say it all versus
speaking for itself. You need to tell
people versus…people just know.
I’m going back to a
topic from the beginning of this blog journey, but I know I’m reaching more
people now and I want to emphasize some points.
What a parent wants in an agent, I had asked (and answered) before. I’m still basically addressing the same thing
here, but I want to hit on a few things because there has been this ALL OUT WAR
on the Backstage child modeling message board.
If you don’t read it, I would say…probably not the time to start. If you’re going to have surgery and will be
severely limited by your pain vs narcotic levels, maybe hit it up between
sleeps because hopefully you will forget it all as though it never happened. (Here's the link if you cannot stay away.)
I think this thing
happens to many parents when they start looking for modeling agencies for their
children. Parents put agents up on
pillars…like they are gods and goddesses to be pleased and may we bow down and
offer up our child to you? Please make
my kid a model? I’m guessing that if you
have a kid in this business you have felt that way at least once. Maybe it was for 30 seconds, but I’m guessing
you felt it at least once. It’s kind of
like applying to schools or jobs – and I’ve said that before. “I want YOU to want ME!” You prepare for the big meeting…you make sure
your child is clean and groomed to perfection.
But…guess what. To the
agent? You’re the 2:30 appointment. And you may be meeting with just one or maybe
even five agents…and they see hundreds of you.
It’s like I’ve told students when they ask me a question about a point
they lost on a homework three weeks ago – I graded a hundred and twenty of
those; you looked at one.
Perspective. Let’s create a
healthy understanding of the role we play in each other’s lives and go from
there. The agent may or may not want to
represent your kid. Let me say that
again. The agent may or may not want to
REPRESENT your kid. Represent. REPRESENT.
Represent in business negotiations.
Doing all the legwork to get your kid to castings and bookings and
bookkeeping and maintaining professionalism and looking at photos and talking
to casting directors and changing schedules and and and…doing business.
You want your agent to
be a business person. You will notice that
I never mention my daughter’s agent and I never speak of specific agencies
here. That’s because all of the
reputable agencies are great in different ways for different parents. If my agency blew off the face of the earth
tomorrow I would be honored to work with whichever of the major players that
would offer my daughter representation.
The reason they are major players is that they have earned their street
cred. Two agencies I can think of are
new (meaning less than three or so years, so that gives them away, sorry
ladies) but they have POUNDED THE PAVEMENT to get full swing into the NYC
market. And how did they do it? And the ones who have been around for
longer? They worked hard. They maintained professionalism. They stayed quiet when they needed to be
quiet and they advocated hard and worked those phones when they needed to. They found the right combination of real
trust in casting directors and parents and the owners of their agencies (or
maybe they ARE the owners of their agencies) and got it done. Once the wheels got turning, they kept their
noses to the grindstone and didn’t get off course. They focused on the business and not the
bullshit. My assumption? If you’re dealing with bullshit, you’re not
dealing with casting directors, and that means you’re not booking my kid. And that’s why I was very careful to give
agents a fair shot when I answered what agents want from parents: parents need
to not cause extraneous bullshit for agents.
Some agents love when the kids pop in to say hello. Some don’t.
Some do if you call first. Some
agents work out of their homes in their PJs at 3:00 am. Respect the life. But if an agent is out there acting all
crazy? Who – CD, accounting department,
photographer – wants to deal with him or her?
Maybe he or she can convince the parents (especially if the agent pays
Google to sponsor the agency when parents search) but eventually…the business
reflects the agent.
Feedback? Thoughts?
Add a comment here, on my Facebook page The Bizzy Mama, or send me an
email at thebizzymama@gmail.com
…I’m also on Instagram at TheBizzyMama. Say hello!
Saturday, August 1, 2015
Shooting with Mary Kate Gutierrez
A couple weeks ago I decided
that I needed a quick new headshot of my daughter because she is growing out
her bangs and everything I have ready to use is very bang-o-centric. My daughter’s print agency really only uses
her tearsheets for submissions, so I send those along whenever I see them, but
for on-camera, a recent headshot reflecting the kiddo’s current look is a
must-have. Casting directors are not too
keen on getting kids who look nothing like their headshots!
I favor very natural
photos, and I try to keep my eye out for emerging photographers or local photographers
who may be offering a one-look mini-shoot at a reasonable price. I’m pretty budget-conscious now (more on that
in the future) but also want someone who knows the market so I get the look I
need (in NYC, the more natural the better) so I asked around and found a great photographer
who was available to meet up – even better – in two days.
Mary Kate Gutierrez has
been building her photography portfolio over the past year in New York and
Southern Connecticut. A 2014 graduate of
UCONN, she works full-time in advertising but pursues her love of photographing
children as much as possible outside of work hours. She hopes to parley that into a career pulling
together the big picture of marketing kids’ fashion campaigns. I’ve seen her work shooting for emerging
designers as well as portfolio shoots for kids and some editorial work. She credits her ability to work will with
kids, parents and designers on her extensive sports background – she played
competitive soccer, basketball AND lacrosse.
I would describe her style as clean, natural and fun. She loves the opportunity to capture children
as they really are – letting their personalities shine.
With a rousing
endorsement by a friend, I contacted Mary Kate on a Friday. She had also been following me on social
media, so when I messaged her we felt like old buddies – she’s very friendly
and outgoing. She suggested meeting up
on Sunday morning, which was perfect, since she already had a shoot scheduled
at Yale and I would be on my way to my dad’s for a family gathering nearby. (I kind of live in the boondocks of
northwestern CT, so New Haven is actually relatively handy for me in relation
to NYC or NJ). I asked for some wardrobe
suggestions, and I grabbed a few dresses and some simple sandals and we were on
our way.
When we met on our
arranged street-corner, Mary Kate was ready to go. It was a reeeeealllllly hot that day, but she
showed up looking like quite the cool and casual photographer – cute clothes
with a stylish vest and her hair pulled back.
She put my daughter at ease immediately (not that my daughter is uptight
or anxious, but a fast connection is a great thing for a quick photoshoot). We picked a dress, chatted a bit, and within
a few minutes they were off and running, stopping here and there in the nooks
and crannies of the collegiate neighborhood.
Mary Kate sent me all
of the photos that night. I loved the
proofs and have settled on one to use as a headshot. Most of all, I really enjoyed meeting her –
she talks about her close-knit family (three brothers and a sister; all younger)
and the high expectations her parents have for their academic achievement (each
child pays his or her way through school as well). Honestly, I left the shoot wanting to go have
Sunday dinner at Mary Kate’s family’s house!
If you’re looking for
some fresh photos with a really sweet and outgoing photographer, consider Mary
Kate. Full disclosure, I paid her full
asking price and I did not receive any “favors” for the coverage in the blog
here – this was totally my idea after the fact because I had such a great time
with her and I wanted to spread the word.
She is “emerging” and not a full-time photographer, so her prices are
quite reasonable yet she is no less professional than anyone I’ve worked with. You’ll see a lot more of her work in the
future – I’m sure! You can follow her on
Instagram at @marykategutierrez on facebook at MKG Photography or on the web at
mkgphotog.com.
I've included a few shots below...the first is the one I'm using for her on-camera headshot now; the second is the "serious face" she was sporting that morning; and the third is just a fun shot that I love.
Feedback? Thoughts?
Add a comment here, on my Facebook page The Bizzy Mama, or send me an
email at thebizzymama@gmail.com
…I’m also on Instagram at TheBizzyMama.
Don’t forget to share the love by clicking RIGHT HERE…I
want to become a top Mommy Blogger!
Wednesday, July 22, 2015
Kids in the Candy Store; Moms in the Shoe Store...
Picture yourself
walking into Nordstrom. You see the Tory
Burch shoe selection. You pick up a few
of the shoes, stroke them lovingly, and you decide to try a couple of pairs
on. You’re thinking, just one pair…I’ll
splurge a little bit…I’ve been so good about not spending too much money…maybe
the gold flats…or the wedge sandals…or maybe the blue ones! You try them on, all look fabulous (because this
is a hypothetical situation and you don’t have barges attached to your ankles)
and you choose the pair you’re going to buy.
The shoe salesman completes your sale and you are out the door, silver
bag in hand, ready to conquer the world in your new shoes.
You only got one
pair. But you tried on three and they
were all great…right? You chose the blue ones.
On a different day, you might have gotten the sandals. At that moment, though, the blue ones were
your favorite. My question is, and here’s
where I’m going with this, is: did you reject
the other ones?
Your answers might
vary, but I was reminded about the subject of rejection in child modeling and
acting the other day by a mom (shout out!) who was considering getting her son
into the business (in addition to her daughter) but she was concerned that her
son might be too aware of the rejection, which her younger daughter didn’t even
notice yet.
I’ve tackled the
subject of rejection in discussions with seasoned model moms and skeptical
bystanders alike. It’s part of the
business. A huge part of the
business. And unless you are one of the half
dozen or so child models I can count off the top of my head who book
constantly, you’re going to face rejection ALL.
THE. TIME. Most of it?
You won’t even know about it because your agent submitted you for
something and you didn’t get requested.
Does this kind of rejection hurt kids?
The older ones obviously know they went to a go-see and didn’t book –
how does that feel? Even for the younger
ones, the parents are aware of the rejection, and sometimes the parents take it
very personally. Is it okay to face that
rejection? I’m offering up my answer: a
resounding, YES, it’s ok and
probably actually good for kids!
If you’re not in the
business (or even if you are) think for a moment about everything your child
does (outside of modeling). Swimming,
ballet, baseball, choir, fencing, whatever.
How many times has your child been rejected? Chances are, if you have a kiddo under age 10
or so, the answer is probably…not many times.
Little kids tend not to face any rejection. End of the year class ceremonies give awards
to every child (Brightest smile! Most
colorful wardrobe!) and not just the top spellers and the best readers. EVERY snowman collage gets hung up in the
classroom, not just the ones most pleasing to the eye (and, er, accurate…what was
that one kid thinking?!?). We’ve created
this cushy, fuzzy, warm, and safety-padded world for our kids in which they
never face any real rejection unless they engage in competitive activities…and
even then…let’s just say my son puts the BEN in BENch, and he’s fifteen.
So I explained this all to a group of my
friends, and many seemed to agree. A
little rejection is good sometimes.
Learning how to handle it gracefully can be an amazing feat on the way
to building good character…and a way to gain some perspective on how the real
world works. Explaining it to kids can
also be challenging, because we still need to sugar-coat (foreshadowing!) it so
kids can handle it. So I came up with
this analogy that’s more suited to kids than my Tory Burch shoe analogy above.
Imagine going into a
big candy store. It has EVERYTHING sweet
and delicious a kid might want. And
everything looks soooo good…maybe Bit O’ Honey is not your thing, but gummy
sharks? Heck yeah! And your mom tells you that you can pick out
three things. How do you ever pick just
three from the whole entire store? You
just do. Does it mean you rejected all the other candy in the
store? Technically, sure. But does it feel like rejection? Not really – you just picked the three things
that seemed really good at that moment.
If you go back next week, you may pick three different things. Or one or two the same and something else
different. (The gummy sharks tasted
stale.) Or maybe this week you can only
get one. Next week you can get
four! All the candy is good…there are different
flavors and some are just variations on the same thing (red Swedish fish,
cherry gum drops, and red gummy worms) but you still have to narrow it
down. And sometimes there is a candy
that’s there all the time but no one really chooses except on rare occasions (wax
lips?)…but you know it’s there should you ever desire it.
Kids can probably
understand that. They make choices all
the time – ONE lollipop at the bank, ONE beanie beast at the toy store – they
can see that sometimes options need to be narrowed and maybe you can make the
connection to modeling and acting for them.
Remind them of all the other cool things they do. Teach yourself to get past the go-sees and
holds that don’t result in bookings (if they see you upset, they’ll learn to
feel that way, too). As they say, “On to
the next!”
Feedback? Thoughts?
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