Quick Clarification

Just want to let you all know -- since I have many new readers -- I receive absolutely no money, services, or goods for my blog or anything I post.  If I did, I would tell you.  I have been accused of receiving something in exchange for "promoting" East Coast Starz in my last post and I did not nor would I accept anything in exchange for their mention.  I know people who have gone to their events and have been very happy with the experience, and that is why I added them into my post.  I attended with my daughter about a year and a half ago but she came down with a fever after we were there only a couple of hours so we left -- but I can say for certain that there were a ton of girls and their moms (and siblings) having a blast.

So, no, sorry, nothing in exchange.

Pay-to-play? No way.

New York Fashion Week?!?!?  We’ve seen it on television – Sex and the City, Entertainment Tonight, Real Housewives…the New York Times devotes many pages to NYFW coverage…it’s huge.  It’s exciting.  It’s REAL.  The.  Real.  Deal.  in fashion.  Right?  But what role is there for children in NYFW?  Or any fashion week in any city?  Let’s first cover how fashion weeks work.

Some shows are huge productions with elaborate lighting, hours of hair and makeup, and legs after legs of gorgeous models.  These tend to be shows by HUGE designers…think Chanel, Marc Jacobs, Chloe, Prada…you know what I mean.  These are the shows that tend to get a lot of press coverage as well.  There are many other shows of all sizes in the City that week…some in designers’ showrooms or small studios…you name the budget, there is a show for it.  Designers often showcase couture (the hand-sewn and embellished one-of-a-kind pieces) along with high-end ready-to-wear to “show off” their looks/concepts for the season, and then have a lookbook available for the buyers to select the items they would like to purchase for their stores.  Some designers show more ready-to-wear looks with a few couture pieces thrown in for their signature touch…and some emerging designers just have a small line of fifteen looks they would love to catch the eye of a single buyer at a good store – just to get started.  It totally ranges!

But here’s what doesn’t happen.  Anna Wintour and Sarah Jessica Parker and Jill Zarin (who famously left a show because she wasn’t front row – Real Housewives reference) and the NYT reporters do NOT pay to attend fashion week shows.  They are invited.  Designers use these shows to showcase their work to get press, ideally good reviews, and to get buyers in the door to purchase their designs for their stores.  DESIGNERS PAY to get their work shown.  They pay the producers or rent the studio, pay for hair and makeup, lighting, probably a photographer to catalog their work, and they send out lots of invitations.  Louis Vuitton?  Will fill a tent.  New designer fresh out of FIT?  Hoping for a big break.  From the big names to the emerging designers, I don’t care who they are…THEY PAY.

Now, whether they PAY THE MODELS or not is somewhat uncertain.  Gigi Hadid?  She gets paid.  But even if she didn’t…her picture would be all over every major fashion publication and social media galore…which would, in fact, be a great score for any model.  Not all designers pay models for runway work.  New models fresh on the scene may go to a fifty castings in a week and may book six shows and may get paid for four…banking on getting some press coverage somewhere for the others.

Now, what is the role of kids in NYFW?  Very little, actually.  I cannot think of many shows that feature kidswear during fashion week.  There are a few, but it’s not a big thing in kids’ modeling.  Sometimes a line will use little ones as accessories or have a few pieces to show.  But NYFW is mostly about the women (though there are men’s and co-ed designers for sure), and those are the celebrities, buyers, VIPs, and press invited to attend.  Of course, children’s buyers and press, etc., would be invited to any line showing children’s wear.

Much more relevant in NYC for children is the ENK Children’s Club trade show, which features tons of children’s designers (WHO PAY TO BE THERE) and is an event that draws buyers from all over the country.  There have been some runway shows there and the organizers of Petite Parade planned their shows to coincide with the Children’s Club shows so that buyers could attend both events when in town.  Petite Parade (see an earlier blog post) was larger when it began and billed itself as (basically) the official show of Children’s Fashion Week, but…it’s expensive to participate and produce, which limited the number of designers who showed.  It would be great for it to really take off, but high-end children’s wear is NOT a huge profit maker.  We may be willing to throw down a few bills for clothes for ourselves, but when it comes to our kids – and an item they will wear maybe once (haha, I bought my daughter a lovely holiday dress this year but never got around to doing a picture – it’s still in the garment bag from shipping) – what’s our bottom line?  Dior can afford a show, but check the label in your child’s best outfit – it’s probably not a huge money-maker.

The title of this post is “Pay-to-play:  No way.”  Since the first word is PAY, you can imagine what I’m getting at here.  Should you ever pay for your child to walk in a runway show?  NO.  Who pays for the runway show?  THE DESIGNER.  Everything about the purpose of the show is to benefit the designer.  I don’t care how “emerging” the designer is – children (and their parents) do not need to support that designer’s show.  There are plenty of designers (and show producers) out there who have offered chances for kids to audition for shows – if they pay to attend.  Or they “invite” children to walk in a show – for $2000.  Can you imagine?  $2000 is TEN two-hour, $100/hr modeling jobs BEFORE commission and expenses.  How many moms would be thrilled to have ten modeling jobs in a year for their kiddo?  Some want you to travel – at your expense – and THEN PAY to be in a runway show.  Do you have any idea how ridiculous this sounds?  And if you try to use it as an example of “legitimate” modeling work, EVERYONE in the biz knows how you got there – you paid for it.  I’m sorry to be really nasty about this, but I am passionate about keeping kids’ modeling a legitimate business for our children.  If it’s not, we all lose.  I use this line of reasoning a lot: we ask our children’s principals to sign off on their permit paperwork here in the NYC market.  Why would a principal sign off on your child missing school to work in a pay-to-play industry?  (I don’t want to get into the school issue here – I’ve threatened in the past to write about it, and maybe someday I will…)  That’s the moral equivalent of taking off from school to go to Disney.  Not how we want schools to view the biz.

I’m only talking here about pay-to-play runway…there are also pay-to-play photo shoots and magazines…I’ll cover those in the future.  Bottom line: never pay for your child to do runway as a legitimate modeling opportunity.

But here’s the question some will inevitably ask:  what if my child really wants to model and we’re not in a big market or my child hasn’t been invited to join an agency?  I’m a little more on the fence about this one.  I do know this: smaller markets and department stores – I know our Nordstom does this – often have smaller shows and they want local kids.  A small fee for these doesn’t really get me too angry – there should NOT be a fee, don’t get me wrong, but it’s kind of like paying for any other activity – $25 dollars to get your hair done and walk down a runway and get a few cool pics?  This may be worth it for you and your child.  $25 to AUDITION, however?  No way!  That is just padding someone’s pocket and is NO benefit to you or your child and is certainly sketchy.  One show is offering two tickets to parents with the $25 dollar audition fee – but seriously, if your child is not selected to walk, are you REALLY going to attend the show?  Doubt it.  And back to those ridiculous fees I mentioned earlier: $2000 to WALK?  Seriously?!?  Even Petite Parade is rumored to be around $20,000 for a designer to show about fifteen looks.  Let’s see…fifteen times $2000…you are part of paying someone $30,000 to walk in their show.  I don’t know about you, but I don’t pay $2000 for a YEAR of any one of my child’s activities, and I am certain she gets more out of those than any one shining moment in some runway show.  (There is even a woman who has gotten models to PAY to attend runway shows SHE HAS CANCELLED several times…I have not had personal involvement with this, but I do have friends who did, and wow, did they regret it!)

So heed my warning.  Stay away.  If you would love for your kid to get involved with fashion but not necessarily pageants, check out EastCoast Starz Runway events.  They do events a few times a year (here on the East Coast, but some families do travel) that have a fee, but it includes a lot of fun things including a custom made outfit for your kid, several photo opportunities, and lots of fun and games for parents and kids.  It’s much more akin to paying for a fun activity for your child.  They also have representatives from some legitimate agencies and managers who attend and meet kids if you’re interested.  I know the woman who runs it, and she works her tail off to provide a good experience for kids.  I know many moms and kids who participate in every event, and they always have a great time.

Any discussion you want to have on this, I invite you to head over to my Facebook page: The Bizzy Mama -- it's an easier forum.  I'm also on Instagram at thebizzymama.

Until next time – Happy New Year!  No pay-to-play this year, ok?

The holiday gift quandary!

If you interact in any model-mom circles, a big question this time of year is: “What do I get my agents for gifts?”  Holiday gifting is a nice gesture, and I would say it’s probably somewhat expected (but I don’t think any professional agent worth his/her salt in the business would deny you any work for not gifting).  I’ll give you some of my thoughts.

First, gift-giving of ANY sort should be based on your own personal resources.  No one should feel the need to gift more extravagantly than their budget allows. 

Some people work exclusively with one agent or manager (and maybe that person has a staff member).  You would probably choose to gift this person more extravagantly than if you work with four or five agents at a bigger firm.  You can set a total budget and work within it, which makes a lot of sense especially when you have two agencies and a few agents and support staff under each roof.

The IRS has work-related gift limits if you plan to deduct the cost of the gift on your child’s taxes.  It’s $25 per gift per person (so if you work with three agents in one firm, you can send 3 $25 gifts and be able to deduct all three).  If you spend more than that, great…but you cannot deduct more than that.  (Now is also a reminder to keep ANY AND ALL WORK-RELATED RECEIPTS.)  Here’s a link to the IRS page that explains this policy and even gives a handy example.

I know of people giving a whole range of gifts.  Anything from a $10 Starbucks card to a $250 gift card to a swanky store is cool – again, it depends on your relationship with the agent.  I would say that if your kid is a HUGE booker, you should probably err on the more generous side.  That’s a lot of agent/parent contact and you want to show your gratitude if you can.  And if kiddo is making $25,000 this year, it’s really not too much to think of a gift in the $100 range – in my humble little opinion.  On the flip side, giving an extravagant gift will NOT make your child a big booker.

I also like to steer people in the direction of practical gifts.  Maybe a little luxury (like a Nest candle or Simon Pearce hurricane) or a gift card to a great lunch spot near their office.  Bonus points for a restaurant that delivers.  I don’t think this is one of those situations when a gift card seems too impersonal – if you’re going more extravagant, why not one to Zappos – who doesn’t love shoes?  If you’re staying more modest, Starbucks or even Amazon are great choices.  These are not cards that will sit unused in the wallet.  If you know your agent’s tastes really well, you can head in that direction.  If you're self-conscious about a modest gift (NOT THAT YOU SHOULD BE) have your child hand-draw a card to go with it.

Food is a popular gift – what’s cuter than a rosy-cheeked child carrying in a beautifully wrapped box of homemade brownies?  And for some families, food is how they roll… BUT…I’m not sure it’s always tops on the list of agents’ favorite gifts.  Main reason: they get SO much.  It’s totally thoughtful, don’t get me wrong, but there’s so much…and a lot of agents I know are physique-conscious…so what ends up happening is that the Bizzy Mama in the office (read: chubby girl) eats all the goodies and ends up ten pounds heavier by December 20 (you know, before the family holiday stuff even happens and you gain the actual holiday weight).  If you really feel the push toward the food, why not have a nice bagel/lox/schmear/fruit assortment delivered for the office to share one morning (maybe check with the assistants first to see if there is a particularly good day).  Another option is a tray of healthy wraps for lunch.  That gets you the satisfaction of feeding your agents but stays away from the sweets.  If you are really inclined toward the sweets, you could do a couple of different things: maybe individually wrap the items (little cello bags) so the agents can grab some to take home to their family OR send a nice holiday card and promise a treat on a date in February, when everyone is sad and dreary and those Italian cookies would be really excellent at 3:00.  Don’t be afraid to switch it up a little – your gift will probably stand out, which is always a nice plus.

I’m going to add, and I’ve mentioned them already, but don’t forget the assistants.  They do a lot of legwork and they may actually be the ones you interact with the most.  If you interact with the assistants just as much or more than the agents, I think the assistants are worthy of the same value of gift.  Fielding multiple calls at a time and unjamming the copier while making sure a CD knows that a kiddo is running late for the 5:00 audition because of the tunnel…all of that merits a nice holiday shout-out.

And what do I give?  Booze.  Last but not least, the booze gift – it’s how I was raised (and all of those bottles my dad got came in really handy when I was, um, well…let’s just say there were so many you’d never miss one, or, er…) and it’s what I like to do.  We work with one agency for print and another for on-camera and last year I sent each a case of decent (read: affordable and drinkable) prosecco.  My aim was for anyone who wanted one to take a bottle…or two, whatever was left…and drink it or even re-gift it.  If someone’s working late and needs to run to have dinner with friends, he or she can grab a bottle out of the case and be all set with something to hand the host.  I have no problem with re-gifting.  If I give you something that makes your life easier – not having to stop at the liquor store on the way – great.  Mission accomplished.  I should also acknowledge the, what if someone doesn’t drink? question.  It’s just like the brownies or the lox – maybe those gifts aren’t for everyone and while someone may pass, I’m sure he/she appreciates the gesture.  Note that I am sending these bottles to agencies that have a few people on each team for kids – I would not send booze to an individual or two-person office unless I know confidently that those people drink.  Here’s the link to Sherry-Lehmann (free delivery in NYC if you get to it in time).

I've got one more bit of gift-giving advice.  Teacher gifts.  After 20 years in the classroom, I can confidently say what we teachers want.  Amazon or B&N gift cards OR gift cards to coffee places that have drive-thru on the way to school.  If you give us sweets, it never fails that my dog eats them...which is probably good for us, but bad for Tessie.

Hope these ideas help!  Anything I didn’t think of?  Questions?  Hit me up here, via email at TheBizzyMama@gmail.com or the Facebook page.  I’m also on Instagram and warning: it’s likely to be full of ballet pics the next couple of weeks.

Positive Child Performer Role Models (or, 'I ain't no Dina Lohan!')

For those of you biz moms, you know you've heard it -- either you've been compared to Dina Lohan or someone has insinuated your child is destined for a life of DUI, jail stints, and early burnout.  Sure, there are horror stories.  And there are horror stories that take great turns (love me some Drew Barrymore!).  So when you need a positive story of the power of wonderful things child performers can get out there and do, check out this fifteen year old (you may recognize her from the sitcom 'Blackish")...click on her name for a New York Times story: Yara Shahidi

What is a “busy” child model?

I have a model-mom friend (shout out!) who is great at helping me with blog topics.  A few days ago, she asked, “What is a ‘big booker’?”  I thought for a few minutes, and told her something like this.

Some of the biggest bookers I know can book 2-3 times a week, let’s say, 35 weeks of the year.  New York’s busy season is basically between late February / early March (late February castings for early March shoots) until mid-October.  Those are the shooting times for major back-to-school and holiday ad campaigns.  Some companies shoot year ‘round in NYC, so there is regular work to be found all year…and of course the stores that advertise weekly (like Target and Macy’s) are always shooting.  The only absolutely dead time is around December 20 until January 15 or so.

So back to the kid who works 60-75 times a year.  That’s a major booker, and they are few and far between.  You will hear from their parents that they are crazy busy when they are “in size” (fitting into common sample sizes) and that some clients will fiddle with the clothes to fit the model.  These are kids we might call “the face of” some brand.  For example, I have two friends whose daughters shot for Hanna Andersson for many seasons…and you would know their faces.  I know a couple of boys, too, who have had regular gigs with Hanna and J. Crew.  They also shoot for tons of other brands on a regular basis, so these are like the child supermodels.

I would say the next category of kid books on average once a week.  These are also faces you’d recognize, and very successful models.  I would still call them big bookers.  Then there are regular bookers – who probably book 3-4 times a month.  When my daughter was a size 3, she fit into that category.  She had steady enough work to keep us hopping, for sure…and I think for our life (and distance from NYC) that was a pretty good balance for us.

For the past ten months or so, as a size 4, my daughter booked more like 1.5 times a month (but a lot of that was clumped together in the summer, so it seemed busy then) which was still enough for us to feel like she was “in the business” while she was also busy with lots of activities (this year we ended up with Girl Scouts, karate twice a week, ballet, AND she’s performing in the Nutcracker…so that’s two rehearsals a week and all of the tech work is coming up soon).  It seems to me that most moms outside of those “big booker” categories would be happy to be in the 2-3 times a month category – just busy enough.

At some point, I should tackle the whole “pulling from school” issue we face.  But that's a topic for a different day!

Booking alone isn’t what makes models busy.  There are go-sees, which can be 1-3 or 4 times a week during busy seasons, depending on size (as always, sample sizes go out a lot more).  During the school year, they tend to be between 3:00 and 5:00, which can make for long days.

And I cannot forget about holds.  Even models who don’t book all that often have many holds.  Holds are a client’s way of saying “we might want to book this kid, so don’t book him/her for anything else.”  I think that even kids who get regular holds are “busy” models – they are on the radar at their agencies, and are very much in demand.  Some moms feel like they get a lot of holds and often there is a similar kid who books instead, but there is no scientific explanation for holds.  And if you’re a mom getting a lot of holds, your life feels as though you’re booked until 6:00 the night before – because that’s when you usually consider yourself officially released and you’ve probably already scrambled to clear next day and get babysitters for the other kids already.  That’s when you need to pour yourself a stiff drink, curse the client who didn’t book your kid – and hope they will next time.

What do you think?  Are my estimations off or on?  Give me some feedback here, on my Facebook page (The Bizzy Mama) or via email at thebizzymama@gmail.com.  You can also check out my Instagram TheBizzyMama for some booking photos (and maybe a pet shot or two).  As always, thanks for reading!

Petite Parade!

Ah, Petite Parade.  The allure!  The hustle!  The bustle!  A few years ago, when the event was a BIG event, all the model moms in the New York market would start in September or January (about two months before the event) to seek information about castings and designers.  The event used to be sponsored by Vogue Bambini magazine, which lent it a certain je ne sais quoi that involved one part kids’ couture, one part Milan, and two parts fashion week – a pretty cool recipe.  Some designers always went; some went in the spring or the fall; and some were surprises.  Each of the two days, a major company would open the show – Target, JC Penney, and Truly Scrumptious are the ones that immediately pop into my head.  Toward the end of the show on the second day, the editors of Vogue Bambini would style a “showcase” of two or three looks from emerging designers.  Each day might feature five or more designers, so there were a ton of kids involved.  It has gotten smaller over the past few cycles, down to one day and fewer household-name designers.  Apparently, it's quite expensive for designer to show their lines, and they have to cost-benefit analyze being part of the show.

When the show was bigger, several shows did castings through agencies.  While some shows have always relied on their designers, stylists and photographers to help with casting, those bigger brands and the Vogue Bambini show always did their castings through agencies.  It made the whole process more predictable (the castings would be the week before) and seemed to up the “hype” when the go-see requests would come out.  Of course, the model-mom grapevine would HEAT UP with scuttlebutt – what sizes are they casting?  What look?  Boys and girls?  The shows would have fittings the day before – and that’s when the clothes were revealed.  Cool, if you ask me.  But the clothes tend to be secondary to the whole excitement of the process.

Two times we did Petite Parade my daughter was scheduled to walk in an early show and a late show, which meant a whole day there – call time is three hours before the show (hairstyles typically took a long time, but most of it was waiting around – designers don’t want ANY anxiety about late arrivals) so I would literally pack as if I were going to be stranded on an island.  A bag of toys and amusements for the kids that could be spread over several kids and not be any big deal if lost or left behind (dollar spot Target helped me there) was essential – my daughter was really young (that means got bored easily) for those first few shows, and I needed to keep her happy for hours.  The biggest hit among all the kids were a couple of bags of multi-colored vampire teeth…lots of cute pictures that time.  Adult amusements were essential, which meant food and wine.  Yes, wine.  By the third go ‘round, I brought a box of wine.  Quantity, not quality was the order of the day (although my sommelier friend – shout out! – has never let me live it down…checkout HER wine blog here) – and enough people had a nip to help the hours pass relatively painlessly.  This is also where I would pack the power strip I mentioned in my model-mom bag post – I learned that after my first year, when probably 100 parents were in a studio with maybe 4 outlets.  It’s important to note here that a large chunk of the excitement about your kid walking in Petite Parade is the opportunity to hang out with a ton of other parents.

Meanwhile, the kids would be readied by designers and stylists.  In the years of the bigger shows, it was in an adjacent studio, behind a magic curtain.  Not really a great place for keeping an eye on your kids, but the parents would be taking turns peeking in to make sure all the kids were doing well.  And they loved the whole thing too – it was like a playdate for them, as we often say.  In more recent shows, the parent area and the staging area were more combined which upped the hectic factor multiple times, but some of us preferred to have a better view of our kiddos.  About an hour before each show, kids would do a practice walk down the runway and learn how to stop and pose at the end.  A photographer, Richard Renda, led that process from the photo pit, and he made sure every kid knew how to stop, gaze at the photographers, and wait for him to send them back.  Despite decent rehearsals, my daughter quite notoriously bucked those instructions back when she was three, and developed her own trademark style for the runway – one time she was super shy and kind of froze and the next time she leapt down the runway (to Katy Perry’s “Roar” – totally fitting).  The older kids always did muuuuuch better.  Parents could watch the rehearsals, because there were no guests in the studio – which brings me to parents watching the actual shows.

It’s important to remember that the shows are for invited guests – store buyers, fashion bloggers, trend watchers and a couple of VIPs (P. Diddy made an appearance one time to watch his daughters).  Parents were allowed to filter in once all of the guests were seated, and maaaaybe there would be seats (and swag bags!) available.  Otherwise, it was standing room only.  One time, the showrunners did not let parents into the main studio for the show, and that caused a major freak out – parents want (and pretty much need, legally speaking, according to child performer labor laws) to see what their kids are doing, and needless to say some phone calls got made and parents were allowed in for the next show. 

After the runway, the routine was for the kids to be photographed backstage for the designers so they would have crisp, clear pictures of their lines.  The method for doing this changed based on the photographer – sometimes it would be an organized lineup and other times it was a little more catch-as-catch-can.  Then poof – get the clothes off and head on home.  For the most part, you could count on some exhaustion and probably a headache from both the noise and the tension of keeping your kid human for so many hours (at least for me).  You may or may not have a hairspray and bobby pin situation to work out when you got home.

The next part is actually just about as exciting as the runway itself.  Trawling social media in the hours after the show – hoping to see your kid!  Obsessing over photo sites online – like Getty Images and Shutterstock – to see pics of your kid.  Stalking YouTube to see if anyone filmed the shows – to see your kid.  Friends sharing pics – and again, you’re hoping to see your kid.  Discovering new photographers – to see your kid!  It sounds kind of creepy, but it’s actually a lot of fun.

So that’s a rundown.  The actual event itself is hectic.  I guarantee if you plop a casual observer into the whole experience, you might get a “Why the EFF do you do this?”  But, for many model moms, the whole thing is a ton of fun.  You also hear a few “Never again!”s, but really…it’s like labor – you forget, and there you are the next time, carrying your box of wine and vampire teeth.

A final word to any grammarians out there -- sorry about all the switches in verb tense...I found myself telling about past events but incorporating ongoing opinions...and I realize it may be a mess.

Check me out on Instagram at TheBizzyMama, my Facebook page (not much going on there, honestly, but I like the likes!) or shoot me an email at thebizzymama@google.com.  I spend a lot of time studying anatomy and physiology these days, but I’d love to hear what you want me to write about.

It's Air Biz.  Photo credit: Lev Radin

Feast or famine…drought or deluge…or whatever. (Just an update.)

So big changes in Bizzy-land…I’ve gone back to school!  I’m basically doing a pre-med curriculum at the local community college in preparation for applying to – wait for it – nursing programs.  I’m taking night classes, which feature amazing casts of characters (exotic dancer!) about whom I’d love to write someday.  Community college is a great democratizing institution – you have people sitting in a classroom with great careers and prestigious degrees all the way down to clueless eighteen-year-olds just trying to get some credits under their belt.  I took Biology over the summer and now I’m taking Chemistry and what I can only term “BOOT CAMP” Anatomy & Physiology I with a professor who has the reputation of being THE HARDEST A&P professor of any state institution from UCONN on down.  I really didn’t expect to be diagnosing skin cancer in lab in week two.  But I digress!

So it’s been busy for me to say the least.  I thought I’d give you a glimpse of what’s been going in on the child-performer side of my world.  I’ve kvetched a bit in the past few months about the slow size 4, but there have been some slightly regular opportunities lately…they’ve just come all at once!  We had a few clusters of bookings over the summer.  Two weeks ago I got a deluge of emails from the agency.  In a three hour period I was notified of two go-sees the next day, a decent booking for two days later, and two holds for the following week.  We managed to hit both go-sees pretty smoothly.  Two go-sees and the round trip in six hours highlighted by one parking garage in-and-out in under half an hour – $9 score! – and one free on-street parking spot.  Didn’t book…but whatever, we got out there.  The job the following day was crazy far in southern Jersey, but it was an 8-hour gig to make up for it and we really didn’t hit any ridiculous traffic.  Far more stressful was the fact that my son’s car broke down (I let him drive my car for a few days) and I scratched my rental when pulling over for three police vans on W. 26^th Street BUT saved myself by buying the extra insurance coverage FOR THE FIRST TIME EVER (totally got a weird feeling that I should and I am GLAD I DID!).

Last week was dead.  The holds last week fell through (for the better, since I had to study for my first test in Boot Camp A&P).  Friday afternoon we got another set of holds for this coming week (one for some app and one for a department store) and an audition for a film tomorrow afternoon.  Another race to the city and get to class in Northwestern Connecticut afternoon, but hey, if it’s not ridiculous it must not be my jam.

I’ll keep you posted.  Back to studying my histology slides and fetal pig organs!